Malcolm Le Grice Movies

A single performance made at the National Film Theatre against a blank screen – the performer twice leaves the stage on one side, exits the...

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the...

"My experience of Monet’s large-scale panoramic paintings of his water lily garden when I was about 14 years old became a crucial artistic...

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

A brilliantly constructed, melancholic ode to the passing of time by Malcolm Le Grice.

Film shadow performance. "First presented in 1971 using three 16mm projectors each with a short loop of changing colour. Projected onto the same...

Colour - Water –Rain – not a water colour – bougainvillea in extreme close-up – touching the lens – swimming pool below...

In October 2009 I did a show in Prague. I returned to the Kafka house of my ‘Benefit of Mr K’ but found the whole street and Castle area...

Originally the work was presented as a pre-ordered sequence of 35mm slides showing two unknown people walking around the wall of a sea-side swimming...

Blind White Duration is a film concerned with constructing an experience from limited perceptions. The viewer is introduced to a limited range of...

[Originally] six virtual screens matted into three Blu-ray projections. First exhibited at the Centre Multimedia Gantner in 2011, then on an...

‘Critical Moment One’ was an un-planned recording of a one-year old boy exploring shells and sand on a beach. Though the boy was my own...

"Like all the works I have done which refer directly to another artist, After Lumière… is not directly 'about' the Lumière...

Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and...

"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film has...

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

Malcolm Le Grice - 3D.

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...